Movie Talk

I’m not an movie expert, not even close but I think there are two ways you can make a (Tamil) movie successful.

Option 1: Give a good movie. Now, this is not quite as simple as it sounds. You’ll need a good story - one that would appeal to the ‘youth’ and can also qualify as a family story. A family here comprises of two kids, mother, father, one or more grandmothers, zero or more grandfathers and sometimes a great grandmother too; and the movie has to be certified ‘ok’ by them all. And then comes good music - A.R. Rehman, may be, if you can afford him. Item numbers, again catering equally to ‘youth’ and ‘family’ needs. Catchy script with the right amount of punch. Loads of luck and a horde of other factors I’m not aware of. Now, even if you do have all this in you, this option is still considerably risky. (your name closely resembling ‘Mani Rathnam’ might help..but just might)

or

Option 2: A risk-free option. Get Dhanush to star in your movie.

Is it that simple? I’m not kidding. It is. You need to take care of certain things in the movie though

1. First things first. The story. Pick ad-hoc scenes from a variety of movies and string them together. Now, it doesn’t matter how cliched the scenes are or how badly they fit in. Just collect what you can get and be quick. We won’t waste much time here.

2. Remember our hero is an action hero. Ok, now stop laughing. He is and there has to be a fight sequence somewhere in the movie to prove that. Again, you can pick some random fight scene from some random movie and fit it somewhere randomly. But one scene would do. Don’t over-do it. We don’t want our hero in bed for long.

3. Item numbers are a must but care should be taken with respect to the strategic positioning of the hero during the item song. Remember our hero is ‘a good man who will never look, let alone drool, at any girl other than the heroine’. Keep fixating on this point until it hits the heroine (and the audience) like raw spirit, stays through the night and gives them a hangover the next morning.

4. There’s no need for a separate full-paid comedian. Our hero is entirely capable of comedy all by himself.. No, we’re not talking about the laughter he evokes inadvertently with his looks (that’s always there) but the real ‘comedy’ comedy. He has a inborn talent for it (actually it was inherited thru marriage…but that’s not relevant to us anyway).

5. Remember, our heroine will have to be both modern and traditional. How you handle this seemingly oxymoron situation is entirely up to you. I can give you some hints though. A modern and hence, obviously obnoxious heroine will at some point listen to a brash tirade from the hero (which on translation to English would involve a lot of four-lettered profanity), after which point she will automatically become traditional. Now this proven technique, apart from working all the time, also has the advantage of reminding the audience of our hero’s father-in-law, thereby increasing the movie’s chances of success a hundred fold. But on the negative side, too much camera focus on our hero during the tirade-delivery might lead to unwanted consequences … for the audience. So, another way (rather unconventional and untested. So, use at your own risk) to handle this would be to have the heroine explain at some point in the movie why she was modern until now and why, from this point onwards, she will be traditional. The explanation does not have to make sense if the heroine is pretty (in both modern n traditional wear) or if the scene comes at a point where the audience are already too bugged to care anyway.

6. The last but most important point. The heroine should fall hopelessly in love with our hero and preferably, for effect, choose him over some rich cute guy. You might wonder why use a cute guy here when obviously our hero looks like a dork next to him. Well, this contrast should be there to make sure the message reaches crystal clear to the audience - “A good heart will always triumph over good looks and wealth”. You see, educating the public is very important in a movie. The moral science is what the audience pay for, after all. Ofcourse, make sure the rich cute guy never gets enough focus anywhere in the movie. We don’t want the audience sympathizing for him when he gets his bulb. Beats the whole morel science purpose of the movie.

A lot of points to remember, I know, but definitely easier than Option 1, don’t you think?

Case Study:

Yaaradi Nee Mohini - A successful movie of the highest degree…and pathetic to the same degree.

Related Posts:

Unnale Unnale

 

Unnale Unnale

    If you are wondering why I’m writing a review on this movie almost two months after it was released, well, this isn’t really a review on the movie. Being a person who watches movies at the rate of one per month, I know my blog doesn’t qualify for movie reviews

    This post is just my thoughts on the concept that the movie is based on. Anytime I have a serious discussion on the movie with any guy, it almost often starts a He-She argument between us. The reason for the argument: the claim from the guy that all women are fighter-cocks (or should I say fighter-hens?) like the character Jhansi in the movie and this overly generalized claim gets on my nerves.

    The movie starts off - the exact sequence of events, I don’t remember - with the female lead character, Jhansi, getting mad at her boyfriend for living his life the way he wants - flirting with other women. The guy, Kathick is westernized (I say western here cos someone recently told me that in the west you are allowed to kiss a bride in front of your girl, while the bridegroom is standing right there looking like an idiot..and you are also allowed to eat pizzas like a pig disgustingly) while Jhansi is traditional and old-fashioned in her views (the same someone told me this too).

    Jhansi strongly disapproves her guy’s playboy attitude and says so to him, which is interpreted by the guy (and the guys* watching the movie) as fighting over silly things. So, what does she do? She thinks over the matter seriously, realizes the relationship is not working because of their differences in opinions and takes a decision that she feels is best for both of them (all the while, remember, the guy is having the time of his life with other women) and breaks up with him. This is interpreted by the guy (and the guys watching the movie) as being ditched by her.

    Later in the movie, Jhansi meets Karthik in Australia coincidently and tries to act aloof just to avoid further trouble between the two. This is interpreted by the guy (and, again, by the guys watching the movie) as being rude. After a series of expected and unexpected turn of events, songs, whatever…Jhansi finally gives her guy up to the gorgeous girl who comes out of nowhere and supposedly understands him perfectly well. This is interpreted by the guy (but NOT by the guys watching the movie) as a sane decision; he grabs the opportunity and marries the pretty girl. End of story!

    Now, while the guy in the movie, right from the beginning to the end, is incapable of coming to any decent conclusion on the relationship, the guys watching the movie come to a conclusion that all women are arrogant, stubborn and rude just cos the role was projected that way in the movie and was enacted by an actress (Sadha) who was, incidentally, born with smug look on her face that even plastic surgeons couldn’t erase. So, for you guys who watched the movie and came to the same conclusion, let me tell you, you got the concept of the movie entirely wrong.

    I actually liked the movie a lot (except for those scenes lifted straight from hindi movies…and the hero, Vinay, who sports a permanent ginger-eating-monkey** expression!) for the very reason that I liked the book “Men are from mars, women are from venus”. What the movie tries to bring out is that men and women are basically wired differently and that is something one has to keep in mind when trying to work out relationships issues. Instead, if you’re gonna keep cribbing all the time about your partner not understanding you and keep trying to shift the blame of every friction in the relationship over to the other side…well, what can I say, you are better off living with someone from your own planet.

    The movie also sends another message to the women, a very required one: never take men seriously!

* When I say ‘guys’ I mean ‘most guys’, ’some guys’ or ‘few guys’ depending on how strongly you disagree with me

** If you are from Tamil Nadu, you must be familiar with the phrase, ginger-eating-monkey. If you aren’t, next time you see a monkey, try feeding it a piece of ginger, watch it’s expression and then, see the movie and let me know if you found a match!